| Criss Cross Jazz new release November 2023 | Here
is the new Criss Cross Jazz release for November 2023, which will be
released on November 3. All details can be found on the
website: |
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CRISS 1412 CD Lage Lund - Most
Peculiar |
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The back story for Lage Lund’s sixth
Criss Cross recording dates to the onset of the
Covid-19 pandemic, in the spring of 2020. Lund – a native of
Skien, Norway who’d lived in the U.S. since 1995 – had just
returned to his homeland with his wife and two daughters, then 5 and 7
years old. With school on hiatus, the family had to improvise an at-home
curriculum. “My wife and I – mainly my wife – made it up on the
fly,” Lund recalls three years later via Zoom. “One day the
theme was learning about elephants, another day it was ‘Ancient
Egypt’ or the ‘Stone Age’ or ‘Trees’ or
‘Horses’ – completely random.” In conjunction
with these lessons, Lund established a daily ritual whereby he spent
an hour or so writing a tune based on the theme du jour, another
hour to 90 minutes recording it, and another two hours creating and
editing a one-minute video – the better to fit within Instagram
guidelines – from public domain GIFs. Over the course of five or
six weeks, Lund created a playlist of 36 videos, which he uploaded to
YouTube. “It was a mental health project,” Lund says. “With
touring gone and no one to play with, I wanted to give myself a task
and feel at the end of the day I’d done something tangible –
I didn’t have this song this morning, and now here it is. To pull
it off, I dealt with short forms, mostly AABA structure, between 8 and 16
bars. Also, for the first time since my early twenties, I had an abundance
of time to practice, which allowed me to delve into things – voice
leading experiments, for example – that weren’t necessarily
oriented towards getting ready for the next gig, the next tour, the
next recording, but which interest me for the long term. It was a bit
like going to an artist retreat or residency.” Fast forward to the
fall of 2021: Lund was back in the saddle, primarily working with
saxophonist Melissa Aldana, whose 2022 Blue Note release '12 Stars'
he co-wrote and produced. Soon thereafter, Criss Cross
owner Jerry Teekens called to ascertain his interest in making another
album. For Lund, 45 when the Most Peculiar session
transpired in June 2022, the offer was an opportunity to reunite with
a band he launched in 2014. Pianist Sullivan Fortner
(35) and drummer Tyshawn Sorey (41), both among the most
gifted practitioners ever to improvise on their respective instruments,
contributed their unique mojo to Lund’s 2019 Criss
Cross release, Terrible Animals (Criss
1402). Virtuoso bassist Matt Brewer (39),
played on Lund’s first leader date (Romantic Latino for
Ladies, on a Japanese label) in 2006, had Lund play guitar on his own
Criss Cross debut Mythology (Criss
1373), and recently played on a Lund trio covers recital
(with Sorey) for another label, including four songs by Andrew
Hill.
The album was recorded June 17, 2022 at the
Samurai Hotel Recording Studio in Astoria by recording engineer
Mike Marciano. He also did the editing, mixing and mastering at Systems
Two. |
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PREVIOUS LAGE LUND
RELEASES |
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CRISS 1417 CD Jim Rotondi Quintet - Over
Here |
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By titling his eighth Criss Cross album Over
Here, trumpeter Jim Rotondi picks up
on the sentiments he signified with The Move (Criss 1323), his
seventh for the label. “It doesn’t necessarily mean moving
somewhere else, but rather returning home, playing tunes with a lot of
straight-ahead swing and interesting chord sequences with guys I’m
comfortable with,” Rotondi stated in the liner notes I wrote for
that kinetic 2009 recital. That’s an effective description of what
transpires on Rotondi’s latest swinging affair. But although he
wasn’t misdirecting, he wasn’t telling the whole story. As
it turned out, The Move indeed foreshadowed
Rotondi’s decision in 2010 to leave New York for Austria for a
position as Professor of Trumpet at the University of Graz. As indicated
by the current title (which references George M. Cohan’s 1917
flagwaver “Over There” and Rotondi’s father’s
service in Europe during World War 2), Rotondi is ensconced on the
Continent thirteen years later, augmenting pedagogical responsibilities
with several trips a year to New York and other U.S. waystations, and
also touring the jazz clubs of central Europe, Italy, France, Spain and
the U.K. In fact, Over Here stems from a ten-day
sojourn by a band of four New York-trained masters that opened with a
jazz cellar gig in the Viennese suburb Bruck an der Leitha, proceeded
to Neuberg, Germany, doubled back to Vienna’s prestigious Porgy
and Bess club, continued with a drive to tenor saxophone maestro Piero
Odorici’s club in Bologna, and then transitioned to Udine for
the recording session. The tour gestated from Rotondi’s desire
to create a European group with tenor saxophonist Rick
Margitza, based in Paris since 2003, as his front line
counterpart, and pianist Danny Grissett, a five-time
Criss Cross leader who’s resided in Vienna since
January 2013. “I’ve known Rick virtually since I moved to New
York in 1987,” the 60-year-old master recalls. “We’ve
played many sessions together, but never a gig, and I thought it
was time for us to do something." The album was recorded May 10,
2023 at the Artesuono Recording Studio in Udine (Italy). Recording
engineer Mike Marciano did the editing, mixing and mastering at Systems
Two. |
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PREVIOUS JIM ROTONDI
RELEASES |
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PREVIOUS DANNY GRISSETT
RELEASES |
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CRISS 1416 CD Manuel Valera -
Vessel |
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Manuel Valera
advises his students at New York University to write music every
day. “I tell them that composition is essentially another
instrument – the more you practice, the better you get at
it,” says the 42-year-old piano master, who, by his count,
has generated some 200 recorded pieces since he entered the fray
in the early aughts. Vessel, Valera’s
second album for Criss Cross, showcases eight recent
works, each “honoring a different person who’s influenced my
music.” Valera made it in January 2023, nine years after presenting
another eight originals on In Motion (Criss 1372) which
featured a slamming iteration of his New Cuban Express ensemble, whose
eponymous first CD had earned a 2013 Grammy nomination for “Best
Latin Jazz Album.” The pieces on that straight-eighth oriented
session mixed elements from various Afro-Cuban dialects with postbop,
fusion jazz, funk and R&B, incorporating intricate beat modulation,
odd meters, and intriguing ensemble color. On In Motion, as
on most of his 16 albums since 2004, Valera established the compositions
as “the complete framework for the improvisations –
although the solos, of course, are also important.” But here,
as indicated by the title, Valera diverges, constructing pieces that
are “vessels for improvising, like they wrote them on the old
Blue Note records. You play the tune, you blow over the tune, then you
play the tune again – the improvisation is as important as the
composition. A lot is going on, but there’s still that connection
to the older tunes – and a couple sound like they could have
been from way back.” The album was recorded January 26,
2023 at the Samurai Hotel Recording Studio in NY. Recording engineer
Mike Marciano also did the editing, mixing and mastering at Systems Two in
NY. |
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| CRISS 1415 CD David Hazeltine - Blues For
Gerry |
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Pianist David Hazeltine has a history with
Criss Cross. To be specific, between 1995 and 2010,
Gerry Teekens, the label’s founder, presented eight
albums on which Hazeltine led trios, quartets and quintets featuring
his impeccable, individualistic pianism, original compositions and
arrangements; another five with the cooperative all-star sextet One
For All (tenor saxophonist Eric Alexander, trombonist Steve Davis,
trumpeter Jim Rotondi, bassists Peter Washington or John Webber, and
drummer Joe Farnsworth), whose grooving, harmonically acute charts
bear his stamp; and another 17 as a sideman with the aforementioned
luminaries, trumpeter Brian Lynch, alto saxophonist Jim Snidero,
and other high-level jazzfolk who now hold pride of place in the
hardcore jazz ecosystem. Hazeltine returns to the fold with Blues
For Gerry, his first Criss Cross
leader date since Inversions (2010, Criss 1326),
a lovely quintet date that included Alexander and vibraphonist
Steve Nelson. Recorded in a single six-hour session on December
1, 2022, it’s his third state of the art trio recital for
Criss Cross with modern masters Peter
Washington and Joe Farnsworth, following
the equally accomplished Perambulation (2005, Criss
1276) and Close To You (2003, Criss
1247). “Gerry Senior liked those albums, and his son Jerry Teekens,
Jr. asked me if I’d put together that same trio,” Hazeltine
said in March, a day after returning from a 20-day tour of primarily
one-nighters in Europe with drummer Bernd Reiter and bassist Aldo
Zunino. “I have fond memories of working for Gerry. He was
a pretty hands-off producer, and let me do what I wanted. His one
request was always, ‘there’s got to be a blues; it’s
not swinging if there’s no blues.’ So I wrote Blues for
Gerry.” |
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CRISS 1414 CD Alex Sipiagin - Mel's
Vision |
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Since he emigrated to the United States
from Russia in 1991, Alex Sipiagin has earned an exalted
international reputation as a no-technical-limits improvisor, sustaining a
gorgeous sound throughout the trumpet’s registral range, navigating
harmonic and rhythmic complexity with precision, passion, and abiding
lyricism. Most of Sipiagin’s 12 previous albums for Criss
Cross also showcase his contrapuntal, harmonically comprehensive
compositions, full of interesting melodic twists and turns. On them,
he projects the same voice that he improvises with but written out
for more instruments. For his 13th Criss Cross date,
Mel’s Vision, the 55-year-old master –
joined by A-listers tenor saxophonist Chris Potter,
pianist David Kikoski,, bassist Matt
Brewer and drummer Johnathan Blake
– contributes two wonderful originials. But Alex addresses
the session primarily as an opportunity to focus on interpreting
music by others – a song by Potter, a Ukrainian folk song
and four rarely covered gems from the jazz canon. The project
gestated after the 2016 release of Moments Captured (Criss
1395), when Criss Cross founder Gerry
Teekens suggested that Sipiagin record a standards
album. Before a contract could be executed, Teekens passed away in
2019. When his son, Jerry Teekens, Jr, reestablished
the label, Sipiagin recorded Swing On This (Criss
1406), the fifth Criss Cross date by Opus
5, the cooperative quintet in which he interacts with tenor
saxophonist Seamus Blake, pianist David Kikoski, bassist Boris
Kozlov, and drummer Donald Edwards, all Criss Cross
leaders and alumni of the Mingus Big Band. He took advantage of that
occasion to remind Teekens fils of the standards project, and received a
go-ahead. |
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| CRISS 1413 CD Michael Feinberg - Blues
Variant |
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An intriguing element of Michael Feinberg’s
superb Criss Cross debut is that the leader could
easily have titled it “Bassist In The Background” (Fans of
Duke Ellington’s wonderful 1960 LP "Pianist In The Background" will
know what I mean). Throughout Blues Variant
– which includes six tunefully percolating originals by Feinberg,
one by tenor saxophonist Noah Preminger, and one by
pianist Leo Genovese – the 35-year-old bass
maestro hews to the mantra, “If you want to hear me solo, come to
a gig, where I often play a solo on every tune”. “I’m
serving the music,” Feinberg continues. “What I appreciate
about a bass player is how they make the other people in the band
sound. I love hearing the soloistic abilities of Christian McBride,
John Patitucci, Dave Holland and the people I idolize, but they’re
amazing because, when they play, it feels incredible and they push their
bandmates to be the best versions of themselves or go beyond what they
think they can do.” As another example, Feinberg mentions Jimmy
Garrison, who triangulated between McCoy Tyner and Elvin Jones with the
“spiritually transcendent” John Coltrane Quartet between
1961 and 1965. “He rarely plays a solo, but you don’t get
the Coltrane quartet with anyone else. So I don’t care about
the solos, or being on top of the mix to indicate ‘this is a bass
player’s record.’ I play a ton of notes. I’m playing the
whole time. Can’t miss it.” Feinberg’s remarks on the
Garrison effect carry a certain gravitas; since the early 2010s, when
he did The Elvin Jones Project, he’s delved into Coltrane’s
repertoire on its own terms of engagement on numerous gigs, most of
them featuring Preminger playing tenor saxophone and Ian Froman on
drums. On the pan-stylistic Blues Variant,
he connects with the spirit of the great drum griot via the presence on
three intense selections of Elvin alumnus Dave Liebman,
Preminger’s teacher during student years. who has often
employed Froman. Feinberg’s introduction to Liebman’s
singular sound was Earth Jones, a 1982 Elvin-led release with
Liebman, trumpeter Terumaso Hino, pianist Kenny Kirkland and
bassist George Mraz. “I know every note of it,” Feinberg
says. “I’ve been a fan of Dave’s playing for a long
time.” |
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CRISS 1410 LP Mike Moreno - Standards >From
Film |
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Like a well –
wrought character in a Hollywood movie, Standards From
Film, guitarist Mike Moreno’s fourth
Criss Cross album, exists atop a solid, cogent back
story. Recorded in December 2021, when the world and New York City –
Houston-born Moreno’s home for more than two decades – were
no longer on COVID lockdown, it documents the leader’s exhaustive
investigations into the provenance of ten iconic standards that, as he
puts it, “are the summer jazz workshop tunes” – they
say you have to learn these songs if you want to be a jazz musician. You
learn them very young or in the beginning days of your journey into this
music. The
Standards From Film album was released on CD (Criss 1410)
in October 2022. Since August 18, 2023 the album is also available
as a 2-LP set on 180 grams black vinyl with gatefold cover, as
part of the Criss Cross Jazz vinyl (re-)release
plan. Joined by a rhythm section of generational contemporaries, each at
the top of the jazz pyramid, (Sullivan Fortner, piano;
Matt Brewer, bass; Obed Calvaire, drums)
Moreno deploys a variety of attacks and tonalities
to create dynamic tension in lyric declamations that he delivers with
his signature plush, resonant tone, sublime articulation, and harmonic
intelligence. |
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| CRISS 1402 LP Lage Lund - Terrible
Animals |
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Terrible Animals is perhaps the most
compositionally ambitious and daringly performed of Lage
Lund's five albums on Criss Cross Jazz. The
Terrible Animals album was released on CD (Criss 1402)
in February 2019. Since July 14, 2023 the album is also available
as a 2-LP set on 180 grams black vinyl with gatefold cover, as
part of the Criss Cross Jazz vinyl (re-)release
plan. Joined by a never-before-convened, top-of-the-pyramid rhythm
section (Sullivan Fortner, piano; Larry
Grenadier, bass; Tyshawn Sorey, drums)
the 39-year-old presents ten far-flung originals that elicit the full
measure of their creativity over the 68-minute program, spurring Lund --
who makes ingenious use of effects within his flow -- to some of his most
dynamic and varied playing on record.
The album was recorded on
April 27, 2018 at the Systems Two Studio in New York. Recording engineer
Mike Marciano also did the editing, mixing and mastering
at Systems Two. He also did the vinyl mastering for this 2LP issue. The
cover drawing on this gatefold 2LP set was made by Robbin
Veldman. |
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