Criss Cross Jazz new vinyl release July 2023

Manuel Valera advises his students at New York University to write music every day. “I tell them that composition is essentially another instrument – the more you practice, the better you get at it,” says the 42-year-old piano master, who, by his count, has generated some 200 recorded pieces since he entered the fray in the early aughts.
 

Vessel, Valera’s second album for Criss Cross, showcases eight recent works, each “honoring a different person who’s influenced my music.” Valera made it in January 2023, nine years after presenting another eight originals on In Motion (Criss 1372) which featured a slamming iteration of his New Cuban Express ensemble, whose eponymous first CD had earned a 2013 Grammy nomination for “Best Latin Jazz Album.” The pieces on that straight-eighth oriented session mixed elements from various Afro-Cuban dialects with postbop, fusion jazz, funk and R&B, incorporating intricate beat modulation, odd meters, and intriguing ensemble color.
 

On In Motion, as on most of his 16 albums since 2004, Valera established the compositions as “the complete framework for the improvisations – although the solos, of course, are also important.” But here, as indicated by the title, Valera diverges, constructing pieces that are “vessels for improvising, like they wrote them on the old Blue Note records. You play the tune, you blow over the tune, then you play the tune again – the improvisation is as important as the composition. A lot is going on, but there’s still that connection to the older tunes – and a couple sound like they could have been from way back.”

Since he emigrated to the United States from Russia in 1991, Alex Sipiagin has earned an exalted international reputation as a no-technical-limits improvisor, sustaining a gorgeous sound throughout the trumpet’s registral range, navigating harmonic and rhythmic complexity with precision, passion, and abiding lyricism. Most of Sipiagin’s 12 previous albums for Criss Cross also showcase his contrapuntal, harmonically comprehensive compositions, full of interesting melodic twists and turns. On them, he projects the same voice that he improvises with but written out for more instruments.
 

For his 13th Criss Cross date, Mel’s Vision, the 55-year-old master – joined by A-listers tenor saxophonist Chris Potter, pianist David Kikoski,, bassist Matt Brewer and drummer Johnathan Blake – contributes two wonderful originials. But Alex addresses the session primarily as an opportunity to focus on interpreting music by others – a song by Potter, a Ukrainian folk song and four rarely covered gems from the jazz canon.
 

The project gestated after the 2016 release of Moments Captured (Criss 1395), when Criss Cross founder Gerry Teekens suggested that Sipiagin record a standards album. Before a contract could be executed, Teekens passed away in 2019. When his son, Jerry Teekens, Jr, reestablished the label, Sipiagin recorded Swing On This (Criss 1406), the fifth Criss Cross date by Opus 5, the cooperative quintet in which he interacts with tenor saxophonist Seamus Blake, pianist David Kikoski, bassist Boris Kozlov, and drummer Donald Edwards, all Criss Cross leaders and alumni of the Mingus Big Band. He took advantage of that occasion to remind Teekens fils of the standards project, and received a go-ahead.

Noah Preminger brings with Sky Continuous, an exceptionally compelling trio recital with bass virtuoso Kim Cass, who has performed on 10 of Preminger’s 11 prior albums including Criss Cross releases Genuinity (Criss 1397) and After Life (Criss 1404), and drumset icon Bill Stewart, who had never before shared a bandstand with Preminger.
 

The music, which includes eight Preminger originals, is logically structured but adventurous and open-ended, containing numerous portals for free expression – it never feels confined. Surprisingly, it’s only Preminger’s second documented exploration of the tenor saxophone trio function.
 

Sky Continuous came to be when Preminger reached out to Jerry Teekens, the namesake son of Criss Cross founder Gerry Teekens, who passed away in 2019. “Before Gerry died, we were talking about doing another record together, and he said, ‘You would sound great with Bill Stewart. Have you ever played with him?’ I said, ‘No, but I really enjoy his playing and that would be nice.’ So he said, ‘Why don’t we do a trio record with Bill and Kim Cass?’ He knew that I loved Kim’s playing. After Jerry decided to continue the label, I told him about his father’s suggestion."